Heart of the Artist by Ahn, Chang Hong_Arario Gallery
A solo exhibition by Ahn, Chang Hong.
Heart of the artist 2, 2019, acrylic on PRP, aluminum
vollpalstik expansion of the heart alone, sits in one corner of the exhibition space, sublime in its gesture to martyrdom.
Heart of the artist 1, acrylic on FRP
centers on a painfully bleeding, scarlet-colored heart bound by thorns on a board as big as the one used for Hand of the artist, suggests that value of life based on pain and angst, which in thrun gives rise to new vitality in our lives.
Hand of the artist
featured a jumble of discarded objects with a skeletal hand hanging in the middle of an extended board.
Depicts the bondage of life thought three stage: an assortment of colors, grey and gold, analogizing them to the life of an artist whose success and failure, joy and despair depend on time to the life of an artist whose success and failure, joy and despair depend on time and fate in the heat of the intense production process.
Sad evaporation, 2018
deindividuated faces, drawn in rough touches. describes these expressionless faces as "anonymous people who not only lack names but also presence itself, their existence completely elided."
The mask-blindness series comprises two masks that either lack pupils or have their eyes covered in bandages, devoid of facial expression; they remind the viewers of people who see, yet are blind to the absurdities of reality.
vollpalstik expansion of the heart alone, sits in one corner of the exhibition space, sublime in its gesture to martyrdom.
centers on a painfully bleeding, scarlet-colored heart bound by thorns on a board as big as the one used for Hand of the artist, suggests that value of life based on pain and angst, which in thrun gives rise to new vitality in our lives.
featured a jumble of discarded objects with a skeletal hand hanging in the middle of an extended board.
Depicts the bondage of life thought three stage: an assortment of colors, grey and gold, analogizing them to the life of an artist whose success and failure, joy and despair depend on time to the life of an artist whose success and failure, joy and despair depend on time and fate in the heat of the intense production process.
deindividuated faces, drawn in rough touches. describes these expressionless faces as "anonymous people who not only lack names but also presence itself, their existence completely elided."
The mask-blindness series comprises two masks that either lack pupils or have their eyes covered in bandages, devoid of facial expression; they remind the viewers of people who see, yet are blind to the absurdities of reality.
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